• Agnieszka Emercjanna Pociej née Warszycka
  • Agnieszka Emercjanna Pociej née Warszycka
  • Agnieszka Emercjanna Pociej née Warszycka
  • Agnieszka Emercjanna Pociej née Warszycka - 1
  • Agnieszka Emercjanna Pociej née Warszycka - 2
  • Agnieszka Emercjanna Pociej née Warszycka - 3

Agnieszka Emercjanna Pociej née Warszycka

Date
before 1722
Object type
painting
Technique
oil
Material
canvas
Dimensions
78,5 x 63,0 cm
Acquisition date
1764
Location
The Palace on the Isle - Bacchus Room, ground floor
Marks and inscriptions
red number 96 of the Stanisław August collection, bottom right
Place of Origin
Warsaw (Poland, Mazowieckie)
Owner
The Royal Łazienki
Museum number
ŁKr 874
More parametrów obiektu

The likeness of Agnieszka Emercjanna Pociej née Warszycka (c. 1690 – after 1759), later married Joseph Alexandre de Montmorency de Bours, belongs to a group of 15 portraits which are traditionally believed to have been acquired by Stanisław August in 1764 from Kasper Lubomirski, together with the Ujazdów estate …

In the 1783, 1793, 1793–95 and 1795 catalogues of the Stanisław August collection, the painting is recorded as being an anonymous work; in the 1784–92 catalogue the entry can be interpreted (although rather ambiguously) as indicating it could be by Ádám Mányoki. … Enikő Buzási (Ádám Mányoki (1673–1757). Monographie und Oeuvrekatalog, Budapest 2003, no. B. 296) published the portrait as ‘ascribed’ to Mányoki and dated it to 1716/17. Agnieszka Emercjanna (Emerencjanna) née Warszycka was from 1709 the wife of the Grand Treasurer of the Grand Duchy of Lithuania, Ludwik Konstanty Pociej, who that same year became Field Hetman of Lithuania. … Around 1715 she gave birth to a daughter who was given the name Ludwika Marianna … . Emercjanna began spending more and more time at the royal court in Warsaw and Dresden and became the mistress of August II. The daughter to whom she gave birth in 1719 was most probably the king’s child, although she was not officially recognized. …The painting seems to fittingly show the sitter’s character—her dynamic pose and masculine costume are very telling about her personality. Widowed early in 1730, in September Emercjanna was already remarried, to Joseph Alexandre, Count de Montmorency de Bours (d. 1759), Field Marshal of the Saxon Armies and Member of the Horseguard of August II … .

The Łazienki likeness, until now thought to be a portrait from her marriage to the Count de Montmorency (Rembrandt i inni. Królewska kolekcja obrazów Stanisława Augusta, exh. cat. (I. Zarębska et al.), vols. 1–2, Warsaw, Muzeum Łazienki Królewskie, 2011, vol. 1, no. 77) … , was painted much earlier, i.e. in 1713 or shortly thereafter … . [D. Juszczak, H. Małachowicz, The Stanisław August Collection of Paintings at the Royal Łazienki. Catalogue, Royal Łazienki Museum, Warsaw 2016, no. 69, pp. 265–267.]

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